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The Dreamcast’s death was a result of poor performance beyond the Mega Drive/Genesis, which was the result of a cultural schism between the Japanese and Western branches that resulted in failed opportunities to partner with Sony and SGI on the hardware front, alienated developers, impacted retailers and an identity crisis thanks to Sony’s marketing and investment savvy.ĮA kept sports properties off the DC in retaliation for going with Hitachi/NEC for the hardware (EA had a sizeable stake in 3DFX at the time), Sony kept Namco from developing games following the astronomical success of Soul Calibur, and while the PS2 can’t anti-alias to save it’s life, the trojan horse DVD player and develop support for its super complex hardware (combined with a highly successful marketing campaign and goodwill thanks to an amazing run with the PlayStation) drove Sega out of the console hardware arena, especially with Microsoft’s healthy coffers to prop up the first generation of Xbox.Įnjoyed your recollection of Sonic Heroes though – I disregarded it at the time but last year sat down to play it with my son.

I wouldn’t say that at all – the Dreamcast had the most successful launch of any kind of entertainment venture at that time and the creativity during its lifecycle was incredible. “Sega fumbled the lead with the Dreamcast”

Sonic hasn’t quite regained the same level of polish and popularity he had during his early days, though stans like me still hold out hope that the best is still to come. Shadow the Hedgehog uses guns, Sonic Unleashed turns him into a werewolf, and Sonic ‘06 is still considered one of the most broken games of all time. Sure, the camera is annoying and it’s all too easy to fall off stages, but Sonic Heroes inspired my generous tolerance-if not necessarily love-for the franchise’s janky quirks.Īfter Sonic Heroes, Sega’s speedster got even weirder. The platforming was also pretty approachable for a newcomer, since Tails works as a backup to get through stages when your jumps fail. Even as they bounced their way through endless obstacles and robots, they still had time to quip. Sonic, Tails, and Knuckles seemed like genuine friends. Listening to the banter of each group allowed me to build a connection with the chili-dog-eating speedster that endures to this day. Eggman’s sinister robot-wielding plot.Īs a middle schooler, this was my first experience with the Sonic franchise and the first non-Pokémon game I ever beat, so I remember it through rose-tinted glasses.

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Each campaign weaves into the others, giving players with enough time and patience a full view of Dr. There are four trios to choose from, each with its own campaign and skill level: There is the normal Sonic and his friends, the goofy side characters that offer an easier time, the bad guys that go hard, and the money-hungry bounty hunters that are fine to skip (unless you’re looking for a collect-a-thon). While playing, you’d need to constantly switch between the three to advance, adding a sense of strategy beyond “just go fast.” Each role has its unique strengths and attributes: Speed characters can dash and travel over rings, power users can break through blocks and glide, and fliers can ascend using wind attacks. Sonic Heroes introduced a unique gimmick that allowed players to control three characters at the same time. In most previous games, Sonic’s gameplay loop revolved around speed, and crossing the finish line as quickly as possible. Eurogamer said the “characters are basic and cringe-worthy, the combat is tedious, the platforming and puzzling is too basic.” Some view it as endearingly simple, while others see it as a pivot away from speed romps to janky messes with confusing stories. And, thanks to all those factors, there’s definitely some rough-draft qualities about the final product.Ģ0 years after its release, Sonic Heroes remains one of the most divisive titles in in the franchise. Yuji Naka, Sonic’s creator (who was recently charged with insider trading) told Eurogamer in 2003 that “Sonic Heroes is a new style of game.” It was also the mascot’s first multiplatform outing, and the team had to create versions for all three major consoles-the GameCube, PS2, and Xbox-while learning a brand-new game engine, EA’s Renderware.

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With 2004’s Sonic Heroes, Sega aimed to make “a brand new series for Sonic, rather than just creating an Adventure sequel,” according to a 2004 Nintendo Power interview with director and lead designer Takashi Iizuka. Despite these setbacks, the speedster still had some juice in him.